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Posts tagged “content strategy”

Platform reality

Robin Sloan discusses Substack, and platforms in general, in another excellent post:

Expect enclosure; expect a few big winners; expect advertising, with all the attention-hacking that will demand. Expect, also, that writers will con­tinue to mold their work to fit Sub­stack’s par­tic­ular ecology, rather than “merely” use the tools to pursue their inde­pen­dent visions and ambitions. We learned this about plat­forms a long time ago.

Platform reality

Huh? The valuable role of interjections

I love this deep-dive on the little interjections we use in everyday speech. One example:

Other interjections serve as what some linguists call ‘continuers,’ such as ‘mm-hmm’—signals from the listener that they’re paying attention and the speaker should keep going. The form of the word is well suited to its function: Because ‘mm-hmm’ is made with a closed mouth, it’s clear that the signaler does not intend to speak.

Make better documents

This has been shared around quite a bit over the past couple of weeks, but Anil Dash has written another[1] modern classic in Make better documents. Excellent advice all around, including:

Similar to the importance of sequencing and order, you almost always want to start by clearly and simply stating your conclusion, or declaring your request or question. Very often, people feel a lot of anxiety about the need to preface their big dramatic point with lots of build-up. But you almost never want to be building dramatic tension in a professional context; this isn’t a thriller where you’re trying to surprise them with twists and turns.

And:

Similarly, you’ll want to constrain your requests to your audience to be something they can react to constructively. “Do we want to invest at the higher cost of Option A to move faster, or go with the lower cost of Option B to be more cautious?” That’s an answerable question! And it’s perfectly fine if it leads to a conversation where a third option is explored — but you never would have gotten there with a prompt that says, “What do we want to do next?”


  1. Never forget: If your website’s full of assholes, it’s your fault  

The media dies a little less

For anyone else following along on “The Death of Media”… There are plenty of dire stories about layoffs and newsrooms shutting down, so I like finding stories of innovation (or small steps) in the space that appear to be working. I think 404 Media is doing great work, and their latest addition of a full-text RSS feed for paid subscribers makes me very happy:

Creating this feed was logistically quite complicated. We are thankful to Maxime Valette of FeedPress, who helped us make the feed, and to Ryan Singel of Outpost, who helped us sync the paid feeds with our Ghost member list. We’re also thankful to our paid subscribers, who have made it possible for us to pay for the development work needed to offer this and have also been very patient with us as we’ve worked behind the scenes to develop this feature.

In other actually good news on the media, The Atlantic is (finally) profitable! Mostly because they went hard on subscriptions.

What is strategy—explained with a useful puzzle metaphor

This is about content marketing but Fio’s post What is strategy—explained with a useful puzzle metaphor is very relevant to product people as well:

At its core, that’s what strategy is: taking a problem, discovering what makes it hard, and finding the right way(s) to solve it. The concept is super obvious when applied to a puzzle: you intuitively know that picking random pieces from the pile and expecting them to slot right into place is not a sensible approach…

…and yet, that’s often how content folks expect marketing programmes to work: we bypass the diagnosis and guiding policy phases, jump straight into picking tactics, and expect that all the pieces will automagically fit together in the end.

Another reminder (which I think we need to hear almost every day) not to jump into implementation too quickly. Take time to understand the problem and the opportunity first.

Why I love Buttondown

This is a bit of a meta post, especially if you’re reading this as an email as opposed to via RSS or the web… but bear with me please!

Justin Duke is one of my favorite internet people—ever since I met him while I was working on Postmark and we tried to convince him to switch his email provider for Buttondown. I now use Buttondown to run my little RSS-to-Email newsletter (yes, via Postmark!), and it was such a joy to chat with a fellow Open Web Enthusiast™ last week about owning your words, and what makes this partnership so special to me. He somehow managed to edit my ramblings from the interview into something that makes sense:

Despite sounding cliché, I hold a strong belief in the importance of owning your content, a sentiment echoed in the challenges faced when migrating from platforms like Substack. Their network is essentially their product, monetized in a way that complicates leaving, especially when payments are involved. […]

The internet’s enduring spaces, free from central ownership, are RSS and email. These technologies prompted my switch, betting on the most basic, reliable forms of digital communication. Embracing the POSSE model—Publish (on your) Own Site, Syndicate Everywhere—resonates deeply with me.

I think this is also where I’m supposed to mention that if you’d like to help cover the cost of hosting this site (and paying for Buttondown!), you can become a Friend of Elezea for $3/month. Bargain!

How platforms killed Pitchfork

This is such a good point about music discovery and the abundance of choice:

Before Spotify, when presented with a new album, we would ask: why listen to this? After Spotify, we asked: why not?

I also like this sentiment:

On one level it’s impressive that Spotify can perfectly capture my musical taste in a series of data points, and regurgitate it to me in a series of weekly playlists. But as good as it has gotten, I can’t remember the last time it pointed me to something I never expected I would like, but ultimately fell totally in love with.

For that you needed someone who could go beyond the data to tell you the story: of the artist, of the genre, of the music they made. For that you needed criticism.

Sales-First Storytelling

Great post by April Dunford on how marketing teams and sales teams need to tell different stories about a product:

Our goals in marketing are very different from our goals in a sales situation. Often in marketing, we are simply trying to capture an audience’s attention and get their permission to continue marketing to them. […] Sales, on the other hand, is generally dealing with the folks who have already raised their hand in some form and are in a purchase process. Our primary job in sales is to help guide prospects through the purchase process.

However, both approaches to storytelling need to come from the same positioning source:

Sales and marketing should use the same inputs for whatever storytelling structure they choose, and those inputs should come from our positioning. Both marketing and sales communicate the value that the product delivers that no other solutions can. Both have a common definition of what a good-fit prospect looks like. Both teams need to understand the alternative approaches, including the status quo and more direct short-list competitors. Our positioning defines the inputs for marketing and sales content—we ultimately need commonality across marketing and sales because our positioning defines where we win and why.

Why Do Developers (Actually) Hate Marketing?

Why Do Developers (Actually) Hate Marketing? The Heavybit team has some good advice in this post:

  • Don’t: Create product-led content that shoves the product into your reader’s face.
  • Do: create a transparent guide to what your product can and can’t do. But make sure you don’t over-promise (or even sound like you’re overpromising).
  • Don’t: Write thought leadership content that relies on cheesy trend predictions.
  • Do: Create thoughtful, technical essays based on experiences from engineers and founders. But make sure your claims are authentic as well as relevant and well-supported as well as novel.
  • Don’t: Produce hollow, manicured case studies.
  • Do: Create technical case studies that describe, in detail, what a customer’s experience was really like – including the gains, the stresses, and the adoption and integration processes. But make sure the focus remains on the customer’s problem and not on your solution.

The state of product and design content in 2023: “meme content wins”

These types of reports can be a bit vapid sometimes, but I am happy to say that The State of UX in 2023 by Fabricio Teixeira and Caio Braga is an extremely thoughtful, well-researched look at what’s going on in the design industry. They talk about the current economic and labor landscape, the type of skills required, how design tools are evolving, and much more. They also addresses the topic of “algorithm-driven thought leadership”, which is a topic that’s close to my heart:

When content is shorter and maximized for engagement, we often lose track of the origin, history, and context behind it: a new designer is more likely to hear about a UX law from a UX influencer on an Instagram carousel than through the actual research which brought it about.

The lack of nuance from algorithm-suggested posts undermines any value we could get from them. For a discipline known for asking “why” and for striving to understand users’ context, it’s time we become more intentional about our own information sources.

I recently did a bit of research on what type of product content “works” on LinkedIn in terms of engagement, and all I can say is that it’s really weird. If you want to get a lot of “engagement” on LinkedIn you can’t post outside links in the content (that gets down-ranked by the algorithm). For some reason long posts with one-sentence paragraphs and tons of emojis do really well. And, of course, carousels with screen shots of Twitter threads. I decided not to even try.

Things aren’t that much different on Twitter, where content is driven by long threads of fortune cookie sayings. Kyle Lambert said it well: “Meme content wins.”

I don’t want to go all old person “no one wants to read anymore” on you, but we have to admit that the current algorithmic web is optimized for extremely low attention spans. Here’s another example: there’s a specific type of Tik Tok video that’s really popular right now where users stitch random, unrelated videos together and rack up millions of views. The always-interesting Ryan Broderick wrote about it in his Garbage Day newsletter:

People on TikTok have realised that literally everybody who uses it have really short attention spans and get bored super easily. To “keep people engaged” they put 2 or more videos together with the audio being part of the “main content” while the other one or two videos are there to keep them entertained so they don’t immediately scroll down and ignore their content.

I don’t see a clear solution to all this, except to just continue to read as much longform content as we can, encourage the authors, and share that content with our peers. And also to try my best to write more like that as well.

I don’t want it sound like I think tweets or funny videos are bad or stupid. But if that’s the primary way we learn design and product principles, that is bad. Without the context of the thought process behind the decisions someone made or the framework they used, all you could ever do is copy something and apply it to a situation it almost certainly isn’t applicable to. So let’s do a little less thought-leadering and a little more explaining our “why”, is all I’m saying.