In Code shufflin’ Robin Rendle writes about why he, as a designer, still messes around with coding projects. I think this is why I continue to obsess over my side project as well—and proactively reach out to indie devs who use the Cloudflare platform to see if I can help.

I’d forgotten what it feels like not to ask permission for changes and instead make pull requests and break things. There’s a momentum to this sort of work that I crave deep down in my bones because it doesn’t rely on meetings or six months of quarterly planning or going up the chain of command. And what I love most about shuffling code around is that every day there’s progress, every day there’s a tiny degree of success you can point to.

I love the Murderbot books, and this interview with author Martha Wells is a delight:

Of all her characters, Wells has said, Murderbot is the one she’s put the most of herself into. It’s a surprising claim, until it’s not. It’s obvious that Wells feels a distance from other humans, even as she’s spent a life trying to relate to them, to understand them.

This is a really interesting rebuttal of some modern parenting methods by Marilyn Simon:

The job of the parent is not to prevent any potential “trauma”, it is to love the child even when they are bad, and to punish them, and most importantly to forgive them. A child can’t understand the lightness of forgiveness without understanding first that one needs it.

Lots of great planning advice in this First Round article. There are two things related to Strategy that I especially like. First, this definition (Strategy is not a vague vision statement!):

Strategy is the sequencing of how you take a very long-term end goal and break that down into more digestible components. Done right, it gets you a really clear picture of what’s in your long-, mid-, and short-term plans, where you stack up in the market, and how you’ll win.”

And then, the importance of org design in executing that strategy well:

Org design is how you deliver on your plan. Instead of meticulously planning all of the ‘what,’ the right org design will give you the ability to hand a talented group of people a new goal, and have them continuously come up with the best way to achieve it.

The post also covers another topic I’ve been thinking about a lot, which is the cadence for planning, and how to make the quarterly (or however often you do it) planning cycle less painful/stressful. We’re in our annual planning cycle right now—once we’re done I will write a post that touches on these topics, and more.

James Stanier has a good argument for why deadline-driven development is so… difficult:

Given that non-technical people don’t understand why software is hard, dates become the stick that they beat you with when you don’t deliver on time. Don’t ask me why, it’s just human behavior. I’m sure you’ve done it when roadworks have taken longer than were specified on the sign, or if a delivery of a package was late. Dates mean something to people, so handle them with care. In fact, perhaps we could do something entirely different instead.

What’s the “something different”?

So, instead, you should take a forecasting approach that follows the uncertainty curve that we outlined above. You start wide, and you taper in. At the beginning of a given project, you might even just have the year that you’re aiming to ship. Then, as you progress, you can start to narrow it down to a quarter, then a month, and finally a specific date.

This is why I will always advocate for time horizon roadmaps.

Great Rolling Stone review of a perfect late-career album by The Cure:

‘Songs of a Lost World’ is the triumphant power-doom epic it needed to be, fully the Cure’s best since ‘Disintegration’, as Smith reaches into the depths of his cobwebbed heart, going deep into adult loss and grief. It’s an album that begins with the line ‘This is the end of every song I sing,’ and closes with ‘Left alone with nothing at the end of every song.’ In between, he gets dark.

I’ve also slowly been making my way through the live-stream of the album release show. They definitely look the 60+ that they are, but man, they still sound incredible.

Elena Verna on the importance of focusing on team experiences in B2B products:

The key to any successful B2B Product-Led Growth (PLG) strategy lies in connecting end-user adoption to enterprise-level deals. But because B2B PLG often looks like, smells like, and acts like consumer product, it pulls product and marketing teams into a deadly gravitation pull of crafting consumer-like experiences focused solely on the individual value. While acquiring individual users is a natural first step, failing to consider the dire need to connect that individual to a team and a company level value WILL sabotage your future growth.

I read about Zach Braff and His All-Star Benefit Concert for the 20th Anniversary of ‘Garden State’, and it reminded me how much I loved the movie despite all the hate it gets.

“Back in this era, the Virgin Megastore was around the corner from a movie theater in [New York City’s] Union Square,” Braff recalls in a phone interview. “And so many people were going directly from the movie theater to the Virgin Megastore to buy the soundtrack that Virgin had to put a sign in the CD slot that said, ‘We are out of the Garden State soundtrack. Please stop asking.’ The thing just caught fire.”

The Shins’ frontman, James Mercer, credits the soundtrack with transforming his career. “We have a lot of young people in our audience still, and I think it’s probably because of Garden State,” he tells Rolling Stone.

I always think of Spoon’s song Outlier as the hate example that cuts the deepest:

And I remember when you walked out of Garden State
‘Cause you had taste, you had taste
You had no time to waste

Rude.