I read two really great articles this week about a couple of recent language shifts. The first is Megan Garber’s English Has a New Preposition, Because Internet, all about the “because-noun”:

However it originated, though, the usage of “because-noun” (and of “because-adjective” and “because-gerund”) is one of those distinctly of-the-Internet, by-the-Internet movements of language. It conveys focus (linguist Gretchen McCulloch: “It means something like ‘I’m so busy being totally absorbed by X that I don’t need to explain further, and you should know about this because it’s a completely valid incredibly important thing to be doing'”). It conveys brevity (Carey: “It has a snappy, jocular feel, with a syntactic jolt that allows long explanations to be forgone”).

But it also conveys a certain universality. When I say, for example, “The talks broke down because politics,” I’m not just describing a circumstance. I’m also describing a category. I’m making grand and yet ironized claims, announcing a situation and commenting on that situation at the same time. I’m offering an explanation and rolling my eyes — and I’m able to do it with one little word. Because variety. Because Internet. Because language. 

And then there’s Ben Crair’s exploration of SMS-speak in The Period Is Pissed — When did our plainest punctuation mark become so aggressive?:

The period was always the humblest of punctuation marks. Recently, however, it’s started getting angry. I’ve noticed it in my text messages and online chats, where people use the period not simply to conclude a sentence, but to announce “I am not happy about the sentence I just concluded.” […]

“In the world of texting and IMing … the default is to end just by stopping, with no punctuation mark at all,” Liberman wrote me. “In that situation, choosing to add a period also adds meaning because the reader(s) need to figure out why you did it. And what they infer, plausibly enough, is something like ‘This is final, this is the end of the discussion or at least the end of what I have to contribute to it.’”

If you have an interest in language, you’ll enjoy both articles very much.

I hate Microsoft Word. I want Microsoft Word to die. I hate Microsoft Word with a burning, fiery passion. I hate Microsoft Word the way Winston Smith hated Big Brother.

— Charlie Stross

There is a growing uprising against word processors and WYSIWYG editors of late. This is partly because of how bad most of those products are, and partly because other alternatives — particularly plain text — have become so intriguing. In fact, please allow me a moment to declare my undying love for plain text.

I love that with plain text the focus is on the words, not the formatting. I love that it’s portable and can be used anywhere and everywhere, in any piece of software that edits or displays words. I love how easy it is to create beautifully formatted documents when needed. Most of all, I love how fast it is. I simply work more efficiently since switching to plain text.

And yet I haven’t been able to convince many people to join me in uninstalling Microsoft Word and moving most (if not all) of their writing to plain text. You wouldn’t believe how hard it is to find people at a party who are willing to listen to me rant about word processors. So, you know. To the internet!

This is a short post about the tools I use to do the vast majority of my writing (business as well as personal). I hope that it will convince at least some of you to take the plunge with me.

To move your note-taking and writing to plain text you need three things:

• A format to write in
• A place to write in
• A central place to store it all

With those three things in place you’ll be all set to free yourself from the shackles of word processors and WYSIWYG editors. If you want more efficiency and clarity in your writing, this is the way to do it¹.

A format to write in

I cannot sing the praises of Markdown enough. Markdown is an easy-to-learn, inconspicuous syntax that lets you focus on what you’re writing without getting bogged down in what it’s going to look like once you’re done. At the same time, it’s a powerful system for formatting documents automatically when you need to print them out, or send something to a colleague or client. The syntax remains easily readable without getting in the way of your words.

I write pretty much everything in Markdown now, and as more and more applications start to support it natively, I only see its popularity growing. The latest email app to take the Mac world by storm, Airmail, has native Markdown support. So does MarsEdit, the software I use to write and publish to this site. The PHP Markdown WordPress plugin further allows any WordPress site to publish with Markdown.

Trust me, it’s really easy to learn. Here’s another Markdown syntax guide to get you going.

A place to write in

Once you’ve settle on the Markdown format, you’re ready for the most difficult stage of the switch: figuring out which of the hundreds of great applications to write and edit plain text files works best for you. On the Mac I’ve tried iA Writer and Byword, but I now spend most of my time in Brett Terpstra’s nvALT. It is a fork of the original Notational Velocity text editor that adds some really great features. What makes it great? Nothing beats nvALT when it comes to speed and efficiency:

• Modeless operation in which searching for notes and creating new notes happen in the same part of the interface. It’s highly efficient and there’s zero lag.
• Powerful keyboard shortcuts for mouseless operation, which further speeds up your writing.
• Native Markdown support, of course.

Even though nvALT has preview functionality built in, I prefer Marked 2 to view formatted text files. Yet another Brett Terpstra project, it’s a powerful previewer for Markdown files, and it works with any text editor. So even if you use something other than nvALT, or open a text file in another app, you can still use Marked. You can add custom CSS and export to a variety of file formats. So when you’re ready to move from words to formatting, this is the app to do it in.

On iOS I’ve gone through tons of text editor apps, but I currently use Notesy, and I’m really happy with it. It’s incredibly fast, which is, as I keep mentioning, one of the main reasons to switch to plain text. There are a few additional things about Notesy that make it one of the apps I use most on my iOS devices:

• You can use it to quickly jot down some thoughts you don’t want to forget, and the file will be waiting for you on nvALT when you get back to your desk. So you can just keep going where you left off.
• It has a URL structure and good support from other apps you may already be using. For example, if you read something in Instapaper that you want to reference in a blog post or an email, you can easily create a note with the selected text.

If you need a more comprehensive overview of iOS text editors, check out this extensive comparison (by — who else — Brett Terpstra).

A central place to store it all.

The last thing to figure out is how to make it all work together so your files are always synced and always available for use on any device. Of course, this is where Dropbox comes in. You’ll need to make a couple of simple settings changes in nvALT to accomplish this. In the Notes preference pane, do the following:

• Change the “Read notes from folder” destination to a folder in Dropbox.
• Change the “Store and read notes on disk as:” setting to Plain Text Files

And just like that, you’re all set. Now you can access your text files from any computer that has internet access and an application that can read text files. Notesy on iOS works directly off Dropbox, so you just have to point it to the folder you set up for your plain text files in nvALT.

“But wait,” I hear you say, “what about folders and things?” Well, that’s what’s so great about using nvALT and Notesy. Everything is search-based. I’ve never had a problem finding a file/note I’m looking for. And since these applications are built for speed, even on a vast amount of text files, it’s much faster than trolling through folders looking for the right file. Getting out of the folders mindset is a bit uncomfortable at first, but it really does start to feel natural after a while.

If you really struggle with the idea, nvALT does support tagging (similar to Gmail’s tags), so you can use that as a crutch for a while. But a better option is to come up with a file naming system, and stick with it. See, for example, Michael Schechter’s excellent overview of the system he uses.

“But wait,” I hear you say again (you’re nothing if not persistent), “what about collaborating on documents?” Don’t worry, there’s an app for that. Once you’re at a point where you need to get feedback or collaborate on a document, you can just import your text file into the brilliant new service Editorially, and keep going from there. It supports Markdown (of course it does), version control, tracked changes, and comments. No sweat.

I won’t deny that there are still some circumstances where word processors are useful. I’m writing a book at the moment, and I’m using Pages for that (mainly because Editorially didn’t exist when I started writing it). But for the majority of everyday writing — meeting notes, emails, business documents — there is simply nothing better than plain text. Go ahead. Get rid of Word. You can do it.

As we all know by now, The Oxford Dictionaries Word of the Year for 2013 is selfie. That annoying, ubiquitous self-portrait that you just can’t get away from no matter what social network you participate in (and taken to its illogical, wonderful extreme by mrpimpgoodgame on Instagram).

Most of the coverage of the culture of selfies is understandably negative about this seemingly overly narcissistic behavior. So it was with great interest that I read Casey Cep’s In Praise of Selfies: From Self-Conscious to Self-Constructive, a very intriguing history and defense of the self-portrait:

Self-portraiture, like all reflexive art, turns its gaze inward from what we see to the one who sees. In the digital age, the rise of selfies parallels the rise of memoir and autobiography. Controlling one’s image has gone from unspoken desire to unapologetic profession, with everyone from your best friend to your favorite celebrity laboring to control every word, every pixel of himself or herself that enters the world. Self-portraiture is one aspect of a larger project to manage our reputations.

We cherish the possibility that someone, anyone, might see us. If photographs possess reality in their pixels, then selfies allow us to possess ourselves: to stage identities and personas. There is the sense that getting the self-portrait just right will right our own identity: if I appear happy, then I must be happy; if I appear intellectual, then I must be an intellectual; if I appear beautiful, then I must be beautiful. Staging the right image becomes the mechanism for achieving that desired identity. The right self-portrait directs others to see us the way we desire to be seen.

I’m not 100% convinced, but ok, I’ll give it a shot. Am I doing it right?

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I just read the following sentence in some digital strategy PDF thing:

As digital adds value to the customer experience there is an opportunity to amplify what the person experiences on the application.

I have no idea what that means, and I don’t think anyone does. The state of business writing is just abysmal right now. So many words that sound fancy but don’t mean a thing. Here’s another example from something I had to read last week:

Economic volatility plus consumer tech revolution is changing customers’ expectation of brands.

Uh, what?

Anyway, I just started reading William Zinsser’s On Writing Well, a book I should have read a long time ago. First published more than 30 years ago, it’s still engaging and fresh. Consider this passage, which I couldn’t get out of my head as I read through those “digital strategy” documents:

Still, we have become a society fearful of revealing who we are. The institutions that seek our support by sending us their brochures sound remarkably alike, though surely all of them — hospitals, schools, libraries, museums, zoos — were founded and are still sustained by men and women with different dreams and visions. Where are these people? It’s hard to glimpse them among all the impersonal passive sentences that say “initiatives were undertaken” and “priorities have been identified.”

We all need to heed Zinsser’s advice on simple writing:

Our national tendency is to inflate and thereby sound important. The airline pilot who announces that he is presently anticipating experiencing considerable precipitation wouldn’t think of saying it may rain. The sentence is too simple—there must be something wrong with it.

But the secret of good writing is to strip every sentence to its cleanest components. Every word that serves no function, every long word that could be a short word, every adverb that carries the same meaning that’s already in the verb, every passive construction that leaves the reader unsure of who is doing what — these are the thousand and one adulterants that weaken the strength of a sentence. And they usually occur in proportion to education and rank.

This is something I want to be a lot more cognisant of in my own writing going forward. So feel free to call me on it when I get too verbose.

This Interview with Clive Thompson About Twitter, Ambient Awareness, Socrates, and Recency Bias is really interesting. Clive has a decidedly more positive take on technology than what we’ve come to expect recently:

There’s an idea, popular with many text-based folks—like myself, and many journalists and academics—that reading books is thinking; that if you’re not sitting for hours reading a tome, you’re not, in some essential way, thinking. This is completely false. A huge amount of our everyday thinking—powerful, creative, and resonant stuff—is done socially: talking to other people, arguing with them, relying on them to recall information for us. This has been true for aeons in the offline world. But now we have new ways to think socially online—and to do so with likeminded folks around the world, which is still insanely mind-blowing. It never stops being lovely for me.

The interview covers some of the material Clive talks about in his new book Smarter Than You Think: How Technology is Changing Our Minds for the Better, which is definitely next on my list (after On Writing Well, which is kicking my butt right now). Also, I don’t know if this will be interesting to anyone, but I share highlights from the ebooks I read on the Twitter account @rianisreading.

As I saw the tweets about Jared Spool‘s talk at Warm Gun fly by, I hoped that someone would do a write-up because it sounded really interesting. I didn’t expect Forbes to come to the rescue, but hey, hell froze over! Anthony Kosner does of good job of distilling Jared’s main points in How Design And User Experience Translates To The Bottom Line:

In UX Strategy Means Business, Spool clued a room full of designers and developers into the five business priorities that they must consider as the ultimate goals of their efforts. Yes, as a designer you must be the strong voice for aesthetics and some of the more subtle aspects of user experience, but your bosses need something more concrete to respond to.

And yes, you’ll have to click through (and dismiss the ad, ugh) to see those five business priorities.

The fifth and final Build Conf looks like it was, once again, a fantastic conference for web designers. The talks are still coming out, but so far there are two that really stood out for me. The first is Paul Soulellis’s Resistance — a fantastic essay on what an act of resistance looks like in design culture today:

I worry that this tendency to dismiss on the fly — as well as accumulating approval — might push us to make things for their ability to go viral. Designing for the showcase and rewarding smooth, easily digestible stories has become a kind of professional “code,” and I think this is where it gets dangerous.

Because some see it as permission to favor the quick fix of image-making over complex problem-solving. How many times have you been asked to build the site in a week. To design the logo in two days. To send files, right now. Somehow, we’re becoming a culture that values performance and instant product over presence.

Frank Chimero’s What Screens Want is another absolute must-read — one of the best essays of 2013. Frank goes on a journey to find the essence of digital design:

A designer’s work is not only about how the things look, but also their behaviors in response to interaction, and the adjustments they make between their fixed states. In fact, designing the way elements adapt and morph in the in-between moments is half of your work as a designer. You’re crafting the interstitials.

Both of these essays not only contain thought-provoking ideas, they’re also beautifully designed. Do yourself a favor and spend some time reading through both.