In What we’ve learned from our users about designing for accessibility Andrew Gosine describes how their team lived out one of Slack’s primary design principles, which is to design with users, not just for them:

In another proposed update, we tried to get clever about where we placed a user’s focus when they opened a thread. If there was an unread message, we’d drop them into that first message in the thread. If there were no unread messages, we’d move focus to the message input. We believed this would increase efficiency for screen-reader users. Our feedback group reacted strongly to this. We’d unintentionally deteriorated the reliability of knowing exactly where you would be when you open a thread, and, as a result, we broke the way-finding our users relied on in Slack. Thanks to our group, we reverted that change.

This is a great read with lots of examples from the project.

The Beauty of Earth From Orbit.

Google and Microsoft’s chatbots are already citing one another in a misinformation shitshow. This is fine. “If you ask Microsoft’s Bing chatbot if Google’s Bard chatbot has been shut down, it says yes, citing a news article that discusses a tweet in which a user asked Bard when it would be shut down and Bard said it already had, itself citing a comment from Hacker News in which someone joked about this happening, and someone else used ChatGPT to write fake news coverage about the event.”

One hundred drones now used across IKEA retail for stock inventory. “One hundred busy drones are now at work during non-operational hours to improve stock accuracy and secure availability of products for online or physical retailing. This solution supports a more ergonomic workplace for IKEA co-workers as they no longer need to manually confirm each pallet.”

Is Blockbuster video about to make a comeback? I didn’t realize how many chances Blockbuster had to not die. “In 1997, Warner Bros approached Blockbuster with an exclusive DVD rental deal that would have split revenue 60-40 in favour of the studio. Blockbuster rejected it, and the studio retaliated by dropping its DVD retail prices to undermine the rental industry. And then in 2000, Blockbuster made two even more fatal decisions. First, Blockbuster turned down the opportunity to purchase the then-fledgling Netflix. Second, it chose instead to partner with Enron. Within a year, Enron filed for bankruptcy. Within five years, Netflix was shipping out a million DVDs every day. Suddenly, Blockbuster was yesterday’s news.”

Is there a drop in software engineer job openings, globally? “The US, Canada and UK are currently seeing some of the lowest numbers of developer job listings since Feb 2020.”

Swimming outside the lanes. Tracy Durnell talks about leaving her day job and going out on her own. “People complain that no one wants to work anymore. And it’s true to an extent: no one wants to work in a job where they are underpaid, unfairly treated, unappreciated, and constrained. I like my work, but so far dislike jobs.”

Shiny Happy People, Being Chased By Monsters. Are we in the midst of a vibe shift back to the days of whimsy? “FreakyLinks may have been on my mind lately because I think we’re in another moment of cultural shift from seriousness to whimsy; if you don’t believe me, ask yourself why Everything Everywhere All At Once so thoroughly kicked the ass of that movie about the mean conductor lady at the Oscars. We’re at a similar moment to where we were in the early 2000s — where people are shrieking ‘I want to be happy!’ and ‘I’m tired of thinking! Give me some baggy orange leather pants instead!’”

Songs are what we carry, even when we have nothing else. On the B-Sides I talk about the latest U2 album a little bit. “It’s the sound of a band that has been together for close to 50 years starting to wind things down the only way they know how: they sing the songs they carry, even when they don’t have a whole lot left.”

I recently had the opportunity to talk with Blake Thorne on The LaunchNotes Podcast. I think I’m a little rusty with the speaking thing, but I did have a lot of fun here. We covered a bunch of topics, including how people got into product management before Inspired was published, how to enable autonomy and ownership in product teams, the value of writing and publishing what you learn, and also somehow… my favorite kettle. Give it a listen if you’re into that sort of thing!

Shift left on go-to-market to build better products is a great post by Frank Tisellano on why product managers have to consider Go to Market efforts while they are still deep in the understanding/planning phase of a project:

Great PMs recognize that building a good product is table stakes and that the way to truly differentiate themselves is by taking a strategic approach to how customers or users find and adopt their products.

In other words, great PMs shift left on go to market, considering and developing their distribution strategy while they’re still prioritizing problems to solve, long before a PRD is written, let alone a line of code.

He goes on to give some practical tips—and examples—on how to make GTM a bigger part of the PM process.

David Poblador writes about The Pitfalls of Hyper-Growth: How Companies Can Do More with Less. Startups tend to operate more with a scarcity mindset at the onset, but as they grow…

As businesses grow, they often rely on flawed indicators of success that do not necessarily correlate with sustainability. One of the most common measures of success is headcount growth. Unfortunately, hiring lots of new employees can create inefficiencies, harm company culture, and reduce productivity. When hiring becomes the only tool to get the job done, it can detract from the most important things, like focusing on priorities and managing the company’s lifecycle.

David’s post led me to a fascinating interview with Jesper Kouthoofd, who is the founder of music-tech company Teenage Engineering. In the interview he talks about why they specifically avoid running after hyper-growth:

We only want to make great products and when you don’t focus only on making money and have reached a certain level, everything becomes about quality. Right now, there is a certain cultural fascination with fast growth, IPOs and so on, but I want to go slow, really slow and think long-term. It takes time to do good things. You see, this cultural phenomenon of speed and growth at all costs is displayed in every startup, they all look the same, it’s like fast food: it looks good, its taste is consistent but then you feel horrible afterwards.

This is obviously not desirable or true for all companies, but it’s worth noticing that there is more than one way to run a business.

I recently came across two articles that combine the topics of music and product management. That is basically catnip for me, so I have to share.

First, I know “What X Can Teach Us About Y” articles have become a bit of a trope, but trust me on this one. What Taylor Swift Can Teach Us About Business by Rex Woodbury is an excellent case study on what good product management is all about. I’ve always been impressed by Taylor’s business strategy, and this is the first article I’ve seen that really digs into it. On Taylor’s decision not to sign with RCA because they wanted to pigeonhole her into being a country singer:

The key insight here is that RCA underestimated the market. Yes, country listenership was declining among young people. But great products revitalize stale markets and ultimately expand their markets. Swift did both, first proving that there was an opportunity in country music, and later growing beyond country to become a bona fide pop star. Swift’s story reminds me of a fatal error in startups: underestimating market size.

There’s too much goodness to quote here, so just read it.

The second one is an older piece that I found via Jeff Gothelf’s blog. It’s an interview with Fender CEO Andy Mooney on the company’s mission, and once again it showcases some excellent product management principles. In the example below, Andy talks about the creation of the Fender Play app. I am breaking the quote up with some of my notes, since it encapsulates the process so well:

The marketing is tied around creating the emotional connection, being ‘why should I do this?’.

Note the focus on Jobs to be Done. Their research showed that people pick up the guitar mostly because they want to play and sing along to their favorite songs—not because they want to be rock stars. That’s the emotional connection they are going after.

Again, with Play, we felt that it was a milestone to get people to commit if they were able to master their first song. So we teach the skills that you need in Play around doing exactly that. You come into the product, you declare your genre and that gives you a potential setlist.

Note here how they identified their activation metric / a-ha moment and built the product around getting users to that moment as quickly as possible.

Then you get taught the skills to master those songs rather than the other way round. I taught when I was very much younger. You know, are you going to teach somebody to play major minor scales or are you going to teach them how to play House Of The Rising Sun? My approach—which I’m glad was all intuitive back then—was a song-based approach because you were teaching them how to play the chords within the context of the song.

Again, note how they focus on the how music makes you feel, not on the theory behind it. We are all used to this kind of marketing now but it’s worth remembering that until the iPhone came along, phone marketing was all focused on storage space and RAM, not on here’s what you can do with it.

There’s much more in the article about the extensive customer research that Fender did, and how they used those insights to create Fender Play.

This feed of imagined alternate universe tech products is mind-bendingly wonderful.

Employees Are Feeding Sensitive Business Data to ChatGPT. Feels like this should be a bigger story. “Employees are submitting sensitive business data and privacy-protected information to large language models (LLMs) such as ChatGPT, raising concerns that AI services could be incorporating the data into their models, and that information could be retrieved at a later date if proper data security isn’t in place for the service.”

How companies can better understand neurodivergent employees. Good reminder: “If you use closed captioning, text messaging, or noise-canceling headphones, or have pushed a stroller or ridden a bike over the ramps at the end of sidewalks/curbs (see the curb cut effect), you’ve benefited from design that prioritized users who had these needs but are not the convenient ‘majority’ for whom many products are designed. Designing for difference enables innovation and productivity while setting up an enterprise to be future-fit and successful.”

I needed to hear this, so I’m sharing just in case you might need to hear it too: “When we have a lot on our plate, we tend to neglect the very things that equip us to handle having a lot on our plate. We leave aside exercise, which is important for physical and mental health. […] Leaving out our health to fend for last place in our list of priorities is bad enough. However, doing it when you most need your health to contend with a growing list of priorities is worse still.”

This latest Amazon forced “return to office” news is bleak. “The fact that Amazon’s S-Team did not blink, and refuses to soften the return to work policy signals that they either don’t expect much attrition, or have calculated with additional attrition. […] At the same time, looking at the market, it’s hard not to ask the question: if people want to leave, where will they leave to?”

Chat apps are no substitute for documentation. “Chat apps like Discord [and Slack] end up diluting the available knowledge because the content shared in them isn’t persistent, and the allure of an always-available answer breaks down when the person that could answer is no longer available.”

Modern Font Stacks. System font stack CSS organized by typeface classification for every modern OS. “No downloading, no layout shifts, no flashes — just instant renders.”

In The Name of The Father provides a fatherhood lens on the first season of The Last of Us that really resonated with me.

The new M83 album is out and it is, in my opinion, a return to form. On repeat over here.