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My 2024 in Music

I love reading end-of-year music wrap-ups from the personal blogs I follow (two highlights this year include the posts by Sarah K. Moir and Simon Collison), so I wanted to make an attempt at my own as well. I decided to wait until Dec 31 so I can have accurate data from my Last.fm profile, where all my listening stats go (I use Spotify and Roon for streaming, and I also send my physical media listening stats there).

So according to my listening stats, here are my favorite releases from 2024 (plus two standouts from earlier years that I discovered this year and became obsessed with). Links will take you to my side project site Listen To More with some more info about each album.

#1 - A LA SALA by Khruangbin

A return to super chill vibes from the Texas indie soul trio, this is #1 in listen count because it’s a beautiful album, but it’s also wonderful dinner / hangout music. So we put it on a lot over here.

#2 - Songs Of A Lost World by The Cure

Only #2 in listen count because it was released so late in the year… This is my personal Album of the Year. What a gift to get this absolute masterpiece so late in The Cure’s career. If Endsong is the last song they ever make, I will be happy. “Left alone with nothing at the end of every song”. Dang.

#3 - Kontrapunkt by Markus Guentner

This year I started to dive even deeper into the Dark Ambient and Drone genres, so there are 3 such albums on the list, starting with Kontrapunkt. Most folks (myself included!) think of ambient music as “background fluff”, but this is… not that. This is anxious music, and in a weird way I find that it calms me down. If you give this a try (you should!), don’t just turn it on and walk away. Immerse yourself in it. And that goes for the next one too…

#4 - RITUAL by Jon Hopkins

Most of us know Jon Hopkins from his collaborations with Coldplay and his harder dance albums. This is very different—it’s a dark ambient collaboration with several artists that flows like one continuous track. I love this thing. It gets really intense in the middle before settling down in the last couple of tracks to a beautiful, calm release.

#5 - Leon by Leon Bridges

I will gobble up anything this neo soul artist puts out, and Leon is another wonderful entry in his discography. Really chill but also intricate.

#6 - Ohio Players by The Black Keys

I know most people have kind of moved on from The Black Keys, but their last few albums have been a return to form in my opinion. Ohio Players is solid blues rock from start to finish.

#7 - Sonido Cósmico by Hermanos Gutiérrez

If you like #1, you’ll love this. These brothers manage to pull off a sound that reminds of Khruangbin, but is also its own thing altogether. That’s a lot of chill on the list, so let’s go to…

#8 - Vega by Anberlin

Ah Anberlin. The crown jewel of the Tooth and Nail label for years, before things happened. I still love this band—Cities is such peak 2000s emo hard rock. I didn’t expect much from their latest, especially considering that some songs feature a different lead singer. But this thing goes hard, y’all. It’s definitely their best effort in years.

#9 - Small Changes by Michael Kiwanuka

The self-titled album from Michael Kiwanuka remains my favorite, but the new outing from this (yes, another!) neo soul artist is a solid entry, and I enjoy it a lot.

#10 - FAÇADISMS by Rafael Anton Irisarri

The last of the dark ambient albums, and the most devastating. Rafael Anton Irisarri is my favorite ambient artists (check out Solastalgia), and his latest is another fantastic entry in his prolific discography.


And based on how much I listened to these two new discoveries (for me), I have to give them honorable mentions:

Every Moment, Everything You Need by Deserta (2022)

My most-listened song in 2024 was I’m So Tired by Deserta. I discovered this album early in the year, and it remained in constant rotation all year long. It’s shimmery guitar shoegaze at its best, with lyrics that feel just right:

Guess you’ll know why I’m so tired
Too tired to be cool
Guess you’ll know why I’m so tired

Dreams You Don’t Forget by NIGHT TRAVELER (2021)

This is an album that’s on the verge of being synthwave, but not quite. It’s just this side of pop, but it has that neon 80s DNA that I love so much (see also On the Corner Where You Live by The Paper Kites and Red Earth & Pouring Rain by Bear’s Den). Another one that was in constant rotation despite being a little older.


As for 2025… I don’t know? This has been a wild year (but it feels like they all are, these days). I enter 2025 with a fair bit of anxiety. But I also know that, as always, music will be there for me. A companion for every mood, a friend in every circumstance. I remain eternally grateful for this undying obsession of mine.

Happy New Year, everyone. May you find your Album of the Year early, and hang on to it steadfastly.

A career ending mistake

This is lovely post by John Arundel (“Come for the schadenfreude, stay for the thought-provoking advice” indeed!). I especially like the section on how to become a good manager:

If you want to become a great manager, which I think is the only kind worth being, start practicing now. Learn people skills, communication, collaboration, psychology. Work on understanding the things that make different kinds of people tick. Manage yourself excellently. If you can’t organize yourself, how do you expect to be responsible for a team?

Code shufflin’

In Code shufflin’ Robin Rendle writes about why he, as a designer, still messes around with coding projects. I think this is why I continue to obsess over my side project as well—and proactively reach out to indie devs who use the Cloudflare platform to see if I can help.

I’d forgotten what it feels like not to ask permission for changes and instead make pull requests and break things. There’s a momentum to this sort of work that I crave deep down in my bones because it doesn’t rely on meetings or six months of quarterly planning or going up the chain of command. And what I love most about shuffling code around is that every day there’s progress, every day there’s a tiny degree of success you can point to.

How Murderbot Saved Martha Wells' Life

I love the Murderbot books, and this interview with author Martha Wells is a delight:

Of all her characters, Wells has said, Murderbot is the one she’s put the most of herself into. It’s a surprising claim, until it’s not. It’s obvious that Wells feels a distance from other humans, even as she’s spent a life trying to relate to them, to understand them.

The cruelty of gentle parenting

This is a really interesting rebuttal of some modern parenting methods by Marilyn Simon:

The job of the parent is not to prevent any potential “trauma”, it is to love the child even when they are bad, and to punish them, and most importantly to forgive them. A child can’t understand the lightness of forgiveness without understanding first that one needs it.

How to Make Planning Better

Lots of great planning advice in this First Round article. There are two things related to Strategy that I especially like. First, this definition (Strategy is not a vague vision statement!):

Strategy is the sequencing of how you take a very long-term end goal and break that down into more digestible components. Done right, it gets you a really clear picture of what’s in your long-, mid-, and short-term plans, where you stack up in the market, and how you’ll win.”

And then, the importance of org design in executing that strategy well:

Org design is how you deliver on your plan. Instead of meticulously planning all of the ‘what,’ the right org design will give you the ability to hand a talented group of people a new goal, and have them continuously come up with the best way to achieve it.

The post also covers another topic I’ve been thinking about a lot, which is the cadence for planning, and how to make the quarterly (or however often you do it) planning cycle less painful/stressful. We’re in our annual planning cycle right now—once we’re done I will write a post that touches on these topics, and more.

What does a date actually mean?

James Stanier has a good argument for why deadline-driven development is so… difficult:

Given that non-technical people don’t understand why software is hard, dates become the stick that they beat you with when you don’t deliver on time. Don’t ask me why, it’s just human behavior. I’m sure you’ve done it when roadworks have taken longer than were specified on the sign, or if a delivery of a package was late. Dates mean something to people, so handle them with care. In fact, perhaps we could do something entirely different instead.

What’s the “something different”?

So, instead, you should take a forecasting approach that follows the uncertainty curve that we outlined above. You start wide, and you taper in. At the beginning of a given project, you might even just have the year that you’re aiming to ship. Then, as you progress, you can start to narrow it down to a quarter, then a month, and finally a specific date.

This is why I will always advocate for time horizon roadmaps.

The Cure Deliver the Power-Doom Epic We’ve Been Waiting For

Great Rolling Stone review of a perfect late-career album by The Cure:

‘Songs of a Lost World’ is the triumphant power-doom epic it needed to be, fully the Cure’s best since ‘Disintegration’, as Smith reaches into the depths of his cobwebbed heart, going deep into adult loss and grief. It’s an album that begins with the line ‘This is the end of every song I sing,’ and closes with ‘Left alone with nothing at the end of every song.’ In between, he gets dark.

I’ve also slowly been making my way through the live-stream of the album release show. They definitely look the 60+ that they are, but man, they still sound incredible.

A Deadly Gravitational Pull in PLG B2B: Individual-Centric Experiences

Elena Verna on the importance of focusing on team experiences in B2B products:

The key to any successful B2B Product-Led Growth (PLG) strategy lies in connecting end-user adoption to enterprise-level deals. But because B2B PLG often looks like, smells like, and acts like consumer product, it pulls product and marketing teams into a deadly gravitation pull of crafting consumer-like experiences focused solely on the individual value. While acquiring individual users is a natural first step, failing to consider the dire need to connect that individual to a team and a company level value WILL sabotage your future growth.

Garden State was a good movie

I read about Zach Braff and His All-Star Benefit Concert for the 20th Anniversary of ‘Garden State’, and it reminded me how much I loved the movie despite all the hate it gets.

“Back in this era, the Virgin Megastore was around the corner from a movie theater in [New York City’s] Union Square,” Braff recalls in a phone interview. “And so many people were going directly from the movie theater to the Virgin Megastore to buy the soundtrack that Virgin had to put a sign in the CD slot that said, ‘We are out of the Garden State soundtrack. Please stop asking.’ The thing just caught fire.”

The Shins’ frontman, James Mercer, credits the soundtrack with transforming his career. “We have a lot of young people in our audience still, and I think it’s probably because of Garden State,” he tells Rolling Stone.

I always think of Spoon’s song Outlier as the hate example that cuts the deepest:

And I remember when you walked out of Garden State ‘Cause you had taste, you had taste You had no time to waste

Rude.